Eco-Human Theory and Practice
ISSN 2713 – 184x
Ecophilosophy
Ecopsychology
Ecotherapy
Eco Art Therapy
Ecological Education
The "Green" Arts
Eco-aesthetics
Volume 2 (2021) Issue 1
Current Issue
Current Issue
EDITORIAL: IN SEARCH OF A NEW BENCHMARK, IN SEARCH OF ECOPOIESIS
Current issue key articles
Current issue key articles

 

This editorial serves as a manifesto of Ecopoiesis. The mission of the journal, Ecopoiesis, is to build sustainable, just, and beautiful human and “green” communities and create an ecological civilization based on the human propensity to respond to and shape the world around ourselves together with nature. This mission of Ecopoiesis thus lies in revealing the intrinsic human ability to love and appreciate life in all its myriad forms. In doing so, it aims to support beauty, health and resilience, providing the conditions for life to flourish and for human exploration and creativity to move into the future.

THE CONCEPT OF SUSTAINABLE DEVELOPMENT: GLOBAL VISION AND RUSSIAN REALITY
Current issue key articles
Current issue key articles

 

Sustainable development implicitly sets the task of changing the traditional trajectory of historical processes and appears not so much as a program of concrete actions, but as a new worldview and a new methodology for humanity. Global ideas, substantiated in this concept, need clarification and concretization at the regional level. Thus, the implementation of the concept of sustainable development in Russia is possible only if the country's unique natural, social and cultural characteristics are taken into account.

AN ECO-THEOLOGY OF (POST) HUMAN ANIMAL GRACE
Current issue key articles
Current issue key articles

 

This paper explores eco-theology, (post) humanism and what the author calls (post) human animal grace. The author explores the ways in which ecopoiesis and theopoiesis can be thought of together, as intersecting concepts. Ecopoiesis and theopoiesis are meant in more metaphoric ways,  drawing on the Greek root of bringing forth, rather than on the Latin root of the poet writing poetry. (Post) human animal grace through the ecopoietic and the theopoietic together mean thinking about humans, animals, the earth, the cosmos and even machines as a web of inter-related and sacred beings. This paper draws on a wide variety of sources from Karl Rahner, to Jacques Derrida, from Wilfred Bion to Donna Haraway. This paper also draws on popular films, online gaming, popular music and even mysticism.

AN INTERVIEW WITH NEWTON HARRISON
Current issue key articles
Current issue key articles

 

One of the pioneers and leaders of the eco-art movement, Newton Harrison, tells about the history of the emergence of this trend in contemporary art and its tasks at the present stage of its development, about how art can influence public opinion and the position of authorities and business regarding environmental issues. He considers the need for a union of art and science, broad interdisciplinary cooperation in the interests of continuous development, the role of poetic expression and his most recent works as a “counterforce” to the ecological crisis.

REVISIONING ART AND NATURE: TOWARD A DEPTH PSYCHOLOGY OF CREATION
Current issue key articles
Current issue key articles

 

This essay was written in response to Alexander’s Kopytin’s questions inviting Shaun McNiff to expand upon his presentation at the Ecological/Earth-Based Arts Therapies Conference in August of 2020 where he discussed the need for a depth psychology of art and nature. Based on an all-inclusive idea of nature and with reference to the ideas of James Hillman and Thomas Berry, the author presents his understanding of art as a force of nature. He illustrates his statements with his own art.

Featured Articles
1701.21

One of the pioneers and leaders of the eco-art movement, Newton Harrison, presents the Sensorium, a work of art and of science that sets out to provide a whole systems visualization of the problems that the world ocean faces, as well as potential solutions to these problems. The Sensorium is an immersive environment, a fully interactive 3-dimensional human-centered interface, where the floors, walls and even the ceiling act as “live” surfaces, connected to real time data, information and modeling / simulation tools. Sensorium can operate as a generalized pre-emptive planning environment where oceanographic problems, mostly of human creation, can be seen and acted upon.

0101.21

In this excerpt from their book, Annie Sprinkle and Beth Stephens explore the realms of ecosexuality as they became lovers with the Earth and made their mutual pleasure an embodied expression of passion for the environment. Since 2008, they have been not just pushing but obliterating the boundaries circumscribing biology and ecology, creating ecosexual art in their performance of an environmentalism that is feminist, queer, sensual, sexual, posthuman, materialist, exuberant, and steeped in humor. They explore the theoretical grounds of ecosexuality, in particular, their perception of Earth as Lover, and their understanding of ecosexuality from the perspectives of the Anthropocene, new materialisms, and posthumanism.

1612.20

This paper explores eco-theology, (post) humanism and what the author calls (post) human animal grace. The author explores the ways in which ecopoiesis and theopoiesis can be thought of together, as intersecting concepts. Ecopoiesis and theopoiesis are meant in more metaphoric ways,  drawing on the Greek root of bringing forth, rather than on the Latin root of the poet writing poetry. (Post) human animal grace through the ecopoietic and the theopoietic together mean thinking about humans, animals, the earth, the cosmos and even machines as a web of inter-related and sacred beings. This paper draws on a wide variety of sources from Karl Rahner, to Jacques Derrida, from Wilfred Bion to Donna Haraway. This paper also draws on popular films, online gaming, popular music and even mysticism.

1612.20

This article reviews the history of the Japanese art of ikebana (flower arranging), contemporary ecological art therapy practice involving botanical arranging, the correlation between the two practices and their contribution to the physical and mental well-being of human beings. Different perspectives are offered by a Russian therapist specializing in ecological art therapy, and a Chinese creative arts therapist with a biomedical background. Ikebana and botanical arranging are considered forms of creative interaction with nature, providing multiple therapeutic effects and showing us how to realign ourselves with the laws of nature.

2411.20

This is an article about land art that constructs habitats of refuge or survival shelters. The art of constructing forest sanctuaries, as a form of social media, is a resourcing of found materials transformed into personal and social places of significance. Amidst COVID-19 restrictions, nature became everyone’s place to be and public parks were an essential commonplace for combining and finding a place apart to come together. What emerged in the forests of Phoenix Park, Dublin was the construction of landmarks for protection and solace. 

Название
Book reviews and interviews
News and Events
REPORT ON EXHIBITION “THE COMING WORLD: ECOLOGY AS THE NEW POLITICS. 2030–2100”
2020-01-30 09:37:22REPORT ON EXHIBITION “THE COMING WORLD: ECOLOGY AS THE NEW POLITICS. 2030–2100”

The exhibition “The Coming World: Ecology as a New Policy” was a major event, marking the cutting edge of the development of contemporary art as part of the environmental movement and the reality in which modern humanity exists

CONFERENCE REVIEW: «FROM THE ECOLOGY OF CHILDHOOD TO THE PSYCHOLOGY OF SUSTAINABLE DEVELOPMENT»
2020-04-11 13:18:26CONFERENCE REVIEW: «FROM THE ECOLOGY OF CHILDHOOD TO THE PSYCHOLOGY OF SUSTAINABLE DEVELOPMENT»
On March 17th and 18th, 2020, the 9th Conference on Environmental Psychology was held at the Psychological Institute of the Russian Academy of Education in Moscow. The conference examined the theoretical and empirical aspects of environmental psychology at the present stage of the field's development, the challenges for psychological and pedagogical support in forming ecological culture and ecological consciousness, the issues of a psychology of sustainable development and the risks caused by environmental challenges.
REPORT ON THE 19th ANNUAL GATHERING IN BIOSEMIOTICS IN MOSCOW
2020-04-15 02:12:39REPORT ON THE 19th ANNUAL GATHERING IN BIOSEMIOTICS IN MOSCOW

The 19th annual Biosemiotics Gathering that took place on 1–5 July 2019, was hosted by the Philosophy Faculty of Lomonosov Moscow State University. That it was hosted by a philosophy faculty rather than a science faculty, and that it was hosted in Russia, are both significant. Biosemiotics is a challenge to mainstream biology, still struggling to gain acceptance despite the work of a great many researchers and a great many publications, along with nineteenannual biosemiotics gatherings.

 

CONFERENCE REVIEW: “ECOLOGICAL/EARTH-BASED ARTS THERAPIES: INTERNATIONAL AND MULTI-CULTURAL PERSPECTIVES
2020-07-21 20:14:50CONFERENCE REVIEW: “ECOLOGICAL/EARTH-BASED ARTS THERAPIES: INTERNATIONAL AND MULTI-CULTURAL PERSPECTIVES

On the eighth and ninth of August, 2020, the conference "Environmental art therapy: international and multicultural perspectives" was held online, reflecting the increasing importance of environmental issues for the creative/expressive arts therapies and their growing connections to the ecological movement, ecotherapy, ecopsychology, ecological education, and environmental art.

GATHER YE ROSEBUDS WHILE YE MAY: A POETIC PUPPETRY EXPERIMENT FOR CONCRETE CABARET’S COLLABORATION
2020-08-24 18:20:00GATHER YE ROSEBUDS WHILE YE MAY: A POETIC PUPPETRY EXPERIMENT FOR CONCRETE CABARET’S COLLABORATION
In Toronto in June 2020, an online puppet cabaret composed of short pieces all arising out of collaborative improvisations took place. The piece that most caught attention, was “Gather Ye Rosebuds While Ye May,” and seemed to strike a chord corresponding to the strange situation we are in, using the advanced technology of Zoom to put together a life that longs for direct contact with the earth. 
Recent videos
ALEXANDRA KIRILLOVA - VOICE WORK AS A WAY OF ESTABLISHING CONNECTION WITH THE NATURAL ENVIRONMENT
2020-05-04 14:37:35ALEXANDRA KIRILLOVA - VOICE WORK AS A WAY OF ESTABLISHING CONNECTION WITH THE NATURAL ENVIRONMENT
Alexandra Kirillova, singer, psychologist and vocal practitioner, talks about how singing and voice work are based on synchronizing a person’s state and inner nature with the environment, establishing a deep healing connection with the natural world and a specific landscape.
VLADISLAV GRISHIN: THE ROLE OF DOCUMENTARY FILM IN SUPPORTING ENVIRONMENTAL VALUES.
2020-04-22 22:28:55VLADISLAV GRISHIN: THE ROLE OF DOCUMENTARY FILM IN SUPPORTING ENVIRONMENTAL VALUES.

Vladislav Grishin, director and screenwriter of the documentary film “Bears of Kamchatka,” shares his impressions of working on the film and the film’s ability to convey the direct experience of interacting with the natural environment and its inhabitants, which may support the spectator’s yearning to be closer to nature.

LEONID TISHKOV: ART AS AN ECOLOGICAL ACTION
2020-02-09 13:54:32LEONID TISHKOV: ART AS AN ECOLOGICAL ACTION

The artist Leonid Tishkov talks about his participation in a number of projects that help to draw attention to environmental problems and emphasizes the role of art in promoting environmental values.

VADIM RYABIKOV ON PSI-GEOGRAPHICAL MUSIC
2020-02-09 13:52:36VADIM RYABIKOV ON PSI-GEOGRAPHICAL MUSIC
Psychologist, musician, composer Vadim Ryabikov speaks about psi-geographical music as a special way of human interaction with natural landscapes, turning the experience of the landscape into aesthetic images that can change our attitude to the environment and have a healing effect.
PAVEL ANDREYEV ABOUT MUSIC AND ECOLOGY
2020-02-09 13:44:27PAVEL ANDREYEV ABOUT MUSIC AND ECOLOGY
Composer, pianist Pavel Andreyev talks about his projects “Grand piano on the loose” and “Grand piano in the trash”, about his attitude to nature and environmental problems, and how music can influence people’s hearts and minds, changing their attitude to the environment
Featured artists

Olga Ezova-Denisova, an artist from Yekaterinburg, gave an interview to Ecopoiesis, in which she talks about her work and its connection with nature as a source of inspiration and beauty. She shares her experience of communication with the natural world and its knowledge through art and about the role of art, particularly illustration, in changing people's attitudes to the living environment.

Diana Sudyka, a Chicago based illustrator, working as a volunteer in the Bird Lab at the Chicago Field Museum, gave an interview to the Ecopoiesis Journal talking about her art and its relationship with nature, and various folk-art traditions, as well as her respect and connection to all forms of life, and how it is important to teach children to appreciate nature. She regards her connecting to the natural world to be critical for her mental well-being, and providing almost all of the inspiration for her personal and commercial work. She is seeking to create something that has both elements of the spiritual and pagan, but also with elements of the specificness of science.

This essay was written in response to Alexander’s Kopytin’s questions inviting Shaun McNiff to expand upon his presentation at the Ecological/Earth-Based Arts Therapies Conference in August of 2020 where he discussed the need for a depth psychology of art and nature. Based on an all-inclusive idea of nature and with reference to the ideas of James Hillman and Thomas Berry, the author presents his understanding of art as a force of nature. He illustrates his statements with his own art.

In this excerpt from their book, Annie Sprinkle and Beth Stephens explore the realms of ecosexuality as they became lovers with the Earth and made their mutual pleasure an embodied expression of passion for the environment. Since 2008, they have been not just pushing but obliterating the boundaries circumscribing biology and ecology, creating ecosexual art in their performance of an environmentalism that is feminist, queer, sensual, sexual, posthuman, materialist, exuberant, and steeped in humor. 

Reginaldo Bockhorni, an Ikebana professor at Ikenobo School, shares his personal and professional experiences with Ikebana. He explains how the art and medical science get crossed and benefit each other through his creative endeavors, how Ikebana transformed his emotional world and influenced his identity and his stance in the world.
In this interview, one of the pioneers and leaders of the eco-art movement, Newton Harrison, tells about the history of the emergence of this trend in contemporary art and its tasks at the present stage of its development, about how art can influence public opinion and the position of authorities and business regarding environmental issues.
About the journal

“Ecopoiesis: Eco-Human Theory and Practice” is the first international multidisciplinary Journal focused on building an eco-human paradigm, disseminating eco-human knowledge and technology based on the alliance of ecology, humanities and the arts. Our journal aims to be a vibrant forum of theories and practices aimed at harmonizing the relations of mankind and the natural world in the interests of sustainable development, the creation of Eco-Humanity as a new community of human beings and more-than-human world. The human being is an ecological being, not separate from the world. The Ecopoiesis journal is based on that premise and aims to develop a body of theory and practice within that framework.

The Journal promotes dialogue and cooperation between ecologists, philosophers, doctors, educators, psychologists, artists, musicians, designers, social activists, business representatives in the name of eco-human values, human health and well-being, in close connection with concern for the environment. The Journal supports the development and implementation of new environmentally-friendly concepts, technologies and practices in the various fields of health and public life, education and social work.

One of the priority tasks of the Journal is to demonstrate and support the significant role of the arts in their alliance with ecology and the humanities for the restoration and development of constructive relations with nature, raising environmental awareness and promoting nature-friendly lifestyles.

The Journal publishes articles describing new eco-human concepts and practices, technologies and applied research data at the intersection of humanities, ecology and the arts, as well as interviews and conference reports related to the emerging eco-human field. It encourages artwork, music and other creative products related to eco-human practices and the new global community of Eco-Humanity.